|LES CYGNES ET LES CORBEAUX||CD A XXXIII|
Lead vocal, acoustic piano, Fender piano, orchestra keyboards, tambourine,
Stella VANDER : Lead vocal, background vocals, orchestra keyboard programming, mixing
Orchestra keyboards: Violon, Alto, Violoncelle, Contrebasse, Flûte piccolo, Flûte, Flûte alto, Flûte basse, Flûte orientale, Clarinette, Basson, Hautbois, Cor anglais, Trompette piccolo, Trompette, Trombone, Cor, Harpe, Vibraphone, Xylophone, Carillon, Cloches tubulaires, Gong, Cymbales, Timbales, Grosse caisse d'harmonie, Choeurs
years in composition (1982 - 1997) and more than four years in the making,
this music is something entirely new, bridging the compositional efforts
of the 20th Century post Schoenbergian greats to create a 21st Century
music which grasps the essence of the vast interior stillness behind all
sound and pierces the intensity of silence behind all noise.
Disavowing all mechanical tempos, this free-flowing masterpiece reveals itself through the formless form of vortices and spirals, cascading, recursive, ineffable.
This is a music whose dynamic rests on no tangible axis or fixed point, which is conceived from the inner and cannot therefore be measured by the outer. 65 minutes of fluttering wings, of song, of cries, of absolutely different sensations, this is a neo-impressionist composition of revolutionary proportions and aspirations.
"I have found n the motion of swans and crows a parallel with the inner motion of the Kosmos itself. Or, at least, this is what I perceive in it."
1 CD total playing
time 65 minutes 37 seconds
at UNIWERIA ZEKT Studio
(Editing & Mastering)
Francis LINON between August, 9th 1997 and January, 11th 2001.
Christian Vander & Stella Vander
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